Cineclub de les Valls d’Andorra Unveils Q2 2026 Schedule: Eight International Auteur Films
Wednesdays from April to June at Teatre Comunal feature directors like Kleber Mendonça Filho, Jim Jarmusch, and Park Chan-wook, spotlighting festival gems with special guests and awards-winning talent.
Key Points
- Cineclub de les Valls d’Andorra announces 8 auteur films for Q2 2026, Wednesdays April-June at Teatre Comunal.
- Features directors: Kleber Mendonça Filho, Jim Jarmusch, Park Chan-wook, others from Brazil, Taiwan, Norway, etc.
- Special guests include Belén Fuentes and Carles Marquès-Marcet; Laia Ateca, award-winning art director, attends finale.
- Spotlights festival gems and independent cinema with subtitles in original languages.
The Cineclub de les Valls d’Andorra has announced its full schedule for the second quarter of 2026, spanning April to June with eight international auteur films screened on Wednesdays at 8:30pm in original language with subtitles at the Teatre Comunal d’Andorra la Vella.
The season opens this evening with *O Agente Secreto* by Brazilian director Kleber Mendonça Filho. It continues on 22 April with *Left-Handed Girl* by Taiwanese filmmaker Shih-Ching Tsou, in collaboration with Barcelona’s Fundació Institut Confuci, and on 29 April with *Father Mother Sister Brother* by Jim Jarmusch.
May features *Elskling* by Norwegian director Lilja Ingolfsdottir on 13 May, *Los Tortuga* by Belén Fuentes on 20 May—in partnership with the Ullnu festival and with the director in attendance—and *No Other Choice* by South Korean filmmaker Park Chan-wook on 27 May.
June brings *La Petite Dernière* by Hafsia Herzi on 3 June, followed by the season finale on 10 June: *Polvo Serán* by Carles Marquès-Marcet. The director will join Andorran art director Laia Ateca for the screening. Ateca earned acclaim for her work on the film, winning best art direction at the 2025 Gaudí Awards—her debut nomination—before securing further honours in 2026 for *Sirat*, including prizes at the European Film Awards, another Gaudí, and the Goya Awards, where she became only the second woman to claim the top trophy.
The programme highlights films from festival favourites, emphasising independent cinema unlikely to reach commercial screens and reinforcing the club’s focus on artistic quality, cultural variety, and modern themes.
Original Sources
This article was aggregated from the following Catalan-language sources: