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Andorran Artist Sergi Mas Dies at 95 After Storied Career

Influential sculptor and polymath Sergi Mas passed away in Sant Julià de Lòria after decades enriching Andorran culture with carvings, mosaics, books, and ethnographic works. Leaders hail his enduring vision of Pyrenean life.

Key Points

  • Sergi Mas, born in Barcelona in 1930, settled in Andorra in 1957 and created sculptures, paintings, and books blending art with local heritage.
  • Key works include Meritxell carving, Casa de la Vall furniture, and mosaics in public spaces across Andorra and beyond.
  • Received Orde de Carlemany last November; institutions named after him and tributes planned.
  • Leaders mourn him as a humble polymath whose legacy shapes Andorran identity.

Sergi Mas, one of Andorra's most influential artists, has died at the age of 95. The sculptor and polymath passed away early on Tuesday in Sant Julià de Lòria after a prolonged period of ill health.

Born in Barcelona in 1930 into a family of artisans, Mas trained at the Escola d'Arts i Oficis de la Llotja, mastering drawing, sculpture and engraving. He arrived in Andorra in 1957 to collaborate with local artist Bonaventura Naudí on a wooden carving of Sant Cristòfol in La Rabassa forest. Initially a temporary stay, it became permanent as he settled in Aixovall, drawn by the Pyrenean landscape and fleeing Spain's post-war hardships. From his workshop in the Casa Duró, he built a seven-decade career blending art with Andorran heritage.

Mas worked across disciplines including painting, ceramics, woodcarving, printmaking, poster design, ex-libris, ethnography and literature. His creations permeate public spaces: the replacement carving of Mare de Déu de Meritxell after the 1972 sanctuary fire; furniture for Casa de la Vall's Consell General chamber and Tribunal de Corts; dancers in Andorra la Vella's placeta Sant Esteve; and a Marratxa dance relief gifted to co-prince Charles de Gaulle. He illustrated stamps, produced public mosaics like one at Arinsal's water factory, and contributed to sites from Jerusalem to the Vatican. As a writer and researcher, he authored books such as Cassigalls, El moble a Andorra and Les valls desitjades, documenting rural traditions and furniture.

His final book, Tafetans de justícia—a collection of anecdotes about encounters with Andorran bailiffs—was presented last week at Sant Julià de Lòria's Centre Cultural Lauredià, though he could not attend. In November, Head of Government Xavier Espot awarded him the Orde de Carlemany, Andorra's highest civil honour, for his cultural contributions. Other accolades included France's Chevalier des Arts et des Lettres in 2008. The Escola d'Art in Sant Julià and a local cultural hall bear his name, and a prize honours emerging talents.

Leaders swiftly expressed grief. Espot described Mas's life as "an artwork of love—for the country, art, craft and things well made," adding he could "see beauty where others see only cracks." Culture Minister Mònica Bonell said Andorran culture was in mourning for an "immense and beloved artist" whose legacy forms collective memory. Sant Julià's cònsol menor Sofia Cortesao called it a national loss, noting his works adorn hundreds of public and private spaces. All parishes plan a joint obituary, with Sant Julià declaring a day of mourning once details are set.

Friends and peers recalled his humility, generosity as a teacher, sharp humour and commitment to popular traditions. Poet Manel Gibert praised his support for young creators; ex-minister Susanna Vela highlighted his outspoken advocacy for arts funding. Figures like Daniel Areny and Txema Díaz-Torrent lauded his personal warmth and role in shaping Andorran identity.

Mas leaves an indelible mark, from urban sculptures to ethnographic collections, ensuring his vision of Pyrenean life endures. Institutions vow to preserve it, with projects like a Marratxa sculpture at Pont del Solà's roundabout advancing as tributes.

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