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Andorra Hosts First World Press Photo Exhibition Showcasing 2026 Winners

Andorra debuts the World Press Photo show in a repurposed hotel space, presenting powerful images on global crises and a tribute to fallen journalists.

Key Points

  • Features 42 winning projects from nearly 60,000 images by 4,000 photographers across 141 countries.
  • Covers conflicts in Ukraine/Gaza, climate crises, migrations, social issues; highlights include ICE family separations and Gaza aid scrambles.
  • On view June 10-30 at Espai Cultural in Sant Julià de Lòria; includes memorial for 1,753 journalists killed since 1992.
  • Organized by APCA after years of pursuit, in non-traditional venue with roundtables and live events.

Andorra has launched its inaugural World Press Photo exhibition in Sant Julià de Lòria, featuring 42 winning projects from the 2026 contest selected from nearly 60,000 images submitted by close to 4,000 photographers across 141 countries.

The show, open daily from June 10 to June 30 at the Espai Cultural in the former Hotel Pol, presents stark visuals of armed conflicts including Ukraine and Gaza, climate emergencies like wildfires in Portugal and California, US Immigration and Customs Enforcement operations separating families at the border, migrations, social inequalities, health challenges such as cancer and eating disorders, and stories from marginalised communities. Standout images include Carol Guzy's winning photo of a child separated from her father during an ICE raid in a New York immigration court; Victor Blue's work on Achi women in Guatemala securing justice 40 years after military abuses; and Samar Abu Elouf's depiction of crowds scrambling for aid in war-torn Gaza. Other highlights cover inaccessible sites, such as a Ukrainian drone factory where workers' identities were concealed for safety.

Organisers adapted around 60 panels to the unconventional venue, aligning with the foundation's preference for non-traditional spaces like stations or cathedrals. The material arrived in a sealed truck from Amsterdam, with every installation step monitored closely.

A prominent memorial lists the 1,753 journalists killed on duty from 1992 to 2025, expanded here into a custom installation designed with Amics del Disseny professionals. Project commissioner Pere Moles described it as essential despite its gravity: "It's sad to have such a space, but necessary. We used the venue's flexibility to create something that reinforces the message."

Alba Noguera, from the organisers, called the exhibition a reflective break from news overload. "It lets us pause amid the dizzying information flow we can't fully process, revisiting key moments from the prior year," she said. She added that while many images circulate online, their in-person impact compels viewers to linger.

The Associació de Professionals de la Comunicació (APCA) pursued this for years, initially aiming to integrate it into the AndArt festival before opting for a standalone 21-day run due to scheduling conflicts and logistics. Skipping last year secured this slot, as Andorra's novelty as a host—plus its proximity to unhosted Barcelona—met the foundation's criteria prioritising new countries and city spacing over larger bidders.

Moles highlighted the exhibit's emotional weight: "It moves you with harsh images of current world events. Standing before them hits differently than scrolling online."

Complementary programming features roundtables, live radio, and a press preview.

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